Deported to Dachau in October 1944, Zoran Mušič (1909-2005) survived there until April 1945. At the risk of his life, he produced many drawings. Although he did not evoke the camp in his works in the immediate post-war period, it had a decisive influence on his creative work from the 1970s onwards. More than twenty-five years after his liberation, he began the cycle Nous ne sommes pas les derniers (We are not the last). In a series of works, including many almost monochrome paintings, Mušič evokes the intensity of the tragedy and the ‘silence’ of this funereal universe, retaining only the lines needed to depict the mass graves. Traces of a hell from which the survivors never fully returned, these canvases become the symbol of the horror of the concentration camp system.
The painting on display in the Duke's room is one of the most powerful and beautiful in the We Are Not the Last series. It was generously donated to the mahJ by Géraldine et Léopold Meyer whose gesture was intended as a reminder of the horror of the massacres committed on 7 October 2023 in southern Israel by Hamas terrorists. It is accompanied by drawings from the collection of Laura Bossi and Jean Clair, friends of the artist.
Curated by
Laura Bossi and Jean Clair, of the Académie française
#ZoranMusic
See also
Location
Duke’s Room
Permanent collection
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Accessible with museum admission ticket
Full price: €10 / Reduced price: €7 / Free for Friends of the mahJ
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