Jean Besancenot, Jeunes filles juives d’Erfoud (young girls from Erfoud), Morocco, 1930s
Exhibition

Tuesday 30 June 2020 – Sunday 18 April 2021

Jean Besancenot’s photographs, taken from 1934 to 1937, are a priceless record of rural Jewish communities in Morocco no longer in existence. 

Maya Zack (née en 1976), Black and white rule (2011), image extraite d'une vidéo de 17 min. 
Exhibition

From Saturday 3 October 2020, to Sunday 12 September 2021

At the mahJ and for the first time in a French museum, Maya Zack shows a trilogy of films made over a decade. Comprising Mother Economy (2007), Black and White Rule (2011) and Counterlight (2016-2017), this series is the result of a long period of research and creation, formalised in a language combining drawing, sculpture and video. Recurrent figures in this trilogy are women dialoguing with the past and giving it substance. As the last survivors of the Holocaust are disappearing, the artist questions the risk of forgetting and the processes of memory.

Fourteen photo booth photographs pinned to a wall, glass plate, 20th century 
© mahJ collection, gift of Ariel Fenster
Exhibition

Saturday 15 May – Sunday 10 October 2021

Echoing the "Chagall, Modigliani, Soutine… Paris pour école, 1905-1940" exhibition, the mahJ is paying tribute to Hersh Fenster (Baranów, 1892–Paris, 1964), the journalist, Yiddish writer and author of Undzere farpaynikte kinstler (Our Martyred Artists), published in Paris in 1951. Both a memorial and an art book, it retraces the lives and work of 84 Jewish artists living in France who died between 1940 and 1945, about whom Fenster compiled testimonies and photographs over a five-year period. Some, like Chaïm Soutine and Otto Freundlich, are well known, others, such as Étienne Farkas and Jacob Macznik, less. Yet all played their part in the final years of what the critic André Warnod dubbed in 1925 the “School of Paris”. Painters, sculptors, illustrators, men and women, their work was brought to a premature end and sometimes destroyed.

Amedeo Modigliani, Portrait de Dédie, 1918, Paris, Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, donation de M. et Mme André Lefèvre en 1952
Exhibition

From June 17 until October 31, 2021

The School of Paris designates the artistic scene constituted by foreign artists from all over Europe and also the Americas, Asia and Africa. This cosmopolitism was unprecedented in art history.