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Until January 31st 2021
The Guerry Columns, a major work Georges Jeanclos (1933-1997), joined recently the mahJ’s collections thanks to an exceptional donation by the artist’s family of a full-scale terracotta study of the bronze monument erected in the hamlet of Guerry at Savigny-en-Septaine in the Cher. A poignant evocation of one of the crimes of the Shoah perpetrated on the French territory, this work constitutes a major enrichment of the mahJ’s contemporary collection.
Tuesday 30 June 2020 – Sunday 18 April 2021
Jean Besancenot’s photographs, taken from 1934 to 1937, are a priceless record of rural Jewish communities in Morocco no longer in existence.
After an extensive investigation, the mahJ’s curators have unveiled part of the mystery shrouding three portraits of the Hassoun family of Constantine. Their research succeeded in localising the family, discovering the cultural identities indicated by the garments worn and establishing the singular path that took them to France.
In addition to these discoveries, this presentation is an opportunity to more fully understand the work of the museum’s curators and their interest in each work’s hidden facets...
From Thursday 15 October 2020 to Sunday 28 February 2021
The mahJ will be showing the first exhibition entirely devoted to Pierre Dac (1893-1975). More than 250 family archive documents and excerpts from films and television and radio programmes will highlight the life and work of this master of the absurd, one of the founder figures of contemporary French humour.
Obligatory reservation online, including for those eligible for free admission and Amis du mahJ members. Please note that this exhibition is best suited for a francophone audience.
Scheduled in 2020, the exhibition has been postponed to June 3 until October 31, 2021, due to the closure of the museum last spring because of the Coronavirus crisis.
The School of Paris designates the artistic scene constituted by foreign artists from all over Europe and also the Americas, Asia and Africa. This cosmopolitism was unprecedented in art history.