Nira Pereg, Abraham Abraham et Sarah Sarah, Hébron, Cisjordanie, 2012
© Nira Pereg, avec l’aimable autorisation de la galerie Braverman, Tel-Aviv
Exhibition

Nira Pereg Abraham Abraham Sarah Sarah

21 octobre 2014 - 25 janvier 2015

Prix Maratier 2013
Video installation, Hebron, West Bank, 2012 – Two films: 4 min. 25 sec.

Alécio de Andrade (Rio de Janeiro, 1938 - Paris, 2003), Boucherie Emouna, rue des Rosiers, Paris, 1975
Exhibition

Rue des Rosiers The Jewish Marais, 1974–1975

21 juillet – 6 octobre 2013

Photographs by Alécio de Andrade

Cécile Reims L’Herbier charnel
2002-2003 - Burin
Collection Musée Jenisch, Vevey © ADAGP, Paris, 2011
Exhibition

Cécile Reims The Etchings, 1950-2011

From Friday 4 november 2011 until Sunday 11 march 2012

As a child in Lithuania, then in Paris, Jerusalem and Barcelona, Cécile Reims (born 1927) drew the world around her. 

Exhibition

mahJ's contemporary collection A journey

From Sunday 3 July 2011 until Sunday 11 September 2011

Inviting artists, designers and architects to intervene in the context of a museum collection or historic monument is now a widespread practice, and a perilous but stimulating exercise. Our aim since the museum opened in 1998 has been to constitute a contemporary collection out of these ‘encounters’, that is, to work on a long-term basis with Jewish and non-Jewish artists, always in a spirit of open-mindedness, to create resonances with the objects and themes in the permanent collection.

Mikael Levin, Cristina's History, Bissau, 2003©Mikael Levin
Exhibition

Mikael Levin Cristina’s History

From Friday 9 April until Sunday 18 July 2010

Mikael Levin was born in New York in 1954 and has lived in Israel, France and the United States. He currently lives and works in New York.

Sara Iris SchillerImage d'une des vidéos de l'installation, 2008
Exhibition

Iris Sara Schiller Water from Above, Water from Below

From Tuesday 2 december 2008 until Sunday 11 january 2009

Water from Above, Water from Below is an installation, a kind of polyptych associating several time-memories.
I imagine it like a journey. The viewer encounters different categories of image-memories. Our vision begins to oscillate, leading us to conceive a non-linear narrative.

Pierrette Bloch
Sans titre, 2006
©Pierrette Bloch
Exhibition

Pierrette Bloch Prix Maratier 2005

From Tuesday 24 october until Sunday 3 december 2006

“I like all tools that make lines. I know lines, I frequent them, lines with no conclusion, with no end, their turnings back, their accidents, their apparent speed, their tenacious duration, their persistence, their urgency.” (“Line”, 10 May 2002)

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