Le Dibbouk (Der Dibbouk)
Cinéma

The Dybbuk

Tuesday 5 October 2021, 19h00-21h30

By Michal Waszynski
Drama, Poland, 1937, 123 min
Yiddish version with English subtitles, restored by Lobster Films

Screening followed by a meeting with the artist Rainier Lericolais, as an echo to his exhibition "Leah'le, la voix du Dibbouk".

Online tour of the mahJ
Online guided tour

Online Discovery of the mahJ

Sunday 28 November 2021 and 16 January 2022 from 7 to 8 pm (Paris time G.M.T.+1)

By Madeline Diaz or Stéphanie Nadalo, English speaking guides.

Amedeo Modigliani, Portrait de Dédie, 1918, Paris, Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, donation de M. et Mme André Lefèvre en 1952
Exhibition

Chagall, Modigliani, Soutine… Paris as a School, 1905-1940

From June 17 until October 31, 2021

The School of Paris designates the artistic scene constituted by foreign artists from all over Europe and also the Americas, Asia and Africa. This cosmopolitism was unprecedented in art history.

Please note: the exhibition "Chagall, Modigliani, Soutine… Paris as a school" is fully booked online.

Fourteen photo booth photographs pinned to a wall, glass plate, 20th century 
© mahJ collection, gift of Ariel Fenster
Exhibition

Hersh Fenster and the lost shtetl of Montparnasse

Saturday 15 May – Sunday 10 October 2021

Echoing the "Chagall, Modigliani, Soutine… Paris pour école, 1905-1940" exhibition, the mahJ is paying tribute to Hersh Fenster (Baranów, 1892–Paris, 1964), the journalist, Yiddish writer and author of Undzere farpaynikte kinstler (Our Martyred Artists), published in Paris in 1951. Both a memorial and an art book, it retraces the lives and work of 84 Jewish artists living in France who died between 1940 and 1945, about whom Fenster compiled testimonies and photographs over a five-year period. Some, like Chaïm Soutine and Otto Freundlich, are well known, others, such as Étienne Farkas and Jacob Macznik, less. Yet all played their part in the final years of what the critic André Warnod dubbed in 1925 the “School of Paris”. Painters, sculptors, illustrators, men and women, their work was brought to a premature end and sometimes destroyed.

Brassaï, Pierre Dac devant un micro, 1935, collection particulière – Brassaï
Exhibition

Pierre Dac. Du côté d'ailleurs

From Thursday 15 October 2020 to Sunday 25 April 2021

The mahJ will be showing the first exhibition entirely devoted to Pierre Dac (1893-1975). More than 250 family archive documents and excerpts from films and television and radio programmes will highlight the life and work of this master of the absurd, one of the founder figures of contemporary French humour.

Obligatory reservation online, including for those eligible for free admission and Amis du mahJ members. Please note that this exhibition is best suited for a francophone audience.

Maya Zack (née en 1976), Counterlight (2016-2017), image extraite d'une vidéo de 24 min.
Event

Nuit Blanche

Saturday 3 October 2020, 7.00pm – midnight

The exhibition "Maya Zack, Acting Memory. Video works, 2007-2017" opens on 3 october in the Contemporary gallery, on the occasion of  the Nuit Blanche Parisian event. At the mahJ and for the first time in a French museum, Maya Zack is showing a trilogy of films made over a decade: Mother Economy (2007), Black and White Rule (2011) and Counterlight (2016-2017),

Maya Zack (née en 1976), Black and white rule (2011), image extraite d'une vidéo de 17 min. 
Exhibition

Maya Zack, Acting Memory. Video works, 2007-2017

From Saturday 3 October 2020, to Sunday 12 September 2021

At the mahJ and for the first time in a French museum, Maya Zack shows a trilogy of films made over a decade. Comprising Mother Economy (2007), Black and White Rule (2011) and Counterlight (2016-2017), this series is the result of a long period of research and creation, formalised in a language combining drawing, sculpture and video. Recurrent figures in this trilogy are women dialoguing with the past and giving it substance. As the last survivors of the Holocaust are disappearing, the artist questions the risk of forgetting and the processes of memory.

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